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and earned Aronofsky the Directing Award at the 1998 Sundance Film Festival, the Independent Spirit Award for Best First Screenplay and the Gotham Open Palm Award. The film is notable for its covering of an array of themes including religion, mysticism and the relationship of the universe to mathematics.
The story about a mathematician and the obsession with mathematical regularity contrasts two seemingly irreconcilable entities: the imperfect, irrational humanity and the rigor and regularity of mathematics, specifically number theory.
Max takes an interest when he realizes that some of the number concepts Lenny discusses are similar to other mathematical concepts, such as the Fibonacci sequence.
Max is also approached by agents of a Wall Street firm.
When Max questions him about the number, Sol indicates that he came across it many years ago. At a coffee shop that he frequents daily, Max meets Lenny Meyer, a Hasidic Jew who coincidentally does mathematical research on the Torah.
Lenny demonstrates some simple Gematria, the correspondence of the Hebrew alphabet to numbers, and explains how some people believe that the Torah is a string of numbers that form a code sent by God.
After waking up, Max appears to become clairvoyant and is able to visualize the stock market patterns he had been searching for.
Pi was written and directed by Darren Aronofsky, and filmed on high-contrast black-and-white reversal film.
They had found the original printout Max threw away and had been trying to use it to manipulate the stock market in their favor. Lenny drives by and manages to get Max away from them.
However, Lenny takes Max to his companions, who want Max to give them the number.
Max flees and tries to visit Sol, only to find out from his daughter, Jenny, that he has just died from another stroke.
Searching Sol's apartment, Max eventually finds a piece of paper with the number.